Formal Analysis of the Symphonic Suite Scheherazade, Op. 35, by Nikolai Rimsky-Korsakov

Abstract

Introduction: This paper provides a formal analysis of the symphonic suite Scheherazade, Op. 35 by Nikolai Rimsky-Korsakov, focusing on the main motifs and their development. It also examines the work’s formal structure and oriental elements.

 Aim: The study analyzes the structure of Scheherazade, Op. 35 and explains the oriental features that shape the suite.

 Materials and Methods: The primary material is the musical score of Scheherazade, Op. 35. Although written for orchestra, a piano reduction for four hands was used for clarity. Each movement was analyzed to identify main motifs and their development.

 Results: Scheherazade is cyclic in form. The first movement follows sonata form, presenting two main themes that recur throughout the cycle. The second movement also shows traces of sonata form with two themes. The third movement is a rondo with two themes. The fourth combines elements from the previous movements in a rondo with three themes and a coda, which also serves as the cycle’s coda.

 Conclusion: The composition forms a cycle with features of sonata form, rondo, variations, and compound ternary song form. The complex structure arises from the use of various instruments, which, combined with form and harmony, create a coloristic element evoking the Orient. Structural coherence is achieved through the consistent use of the two main themes, representing the main characters of the fairy tale.